But chances are pretty good they don’t.
And chances are even better that whatever they may have heard is out of date. This is a business in a state of rapid change.
If you don’t want your heart broken in this ever-more-complex, soul-crushing process, you need to keep those myths and outdated ideas from infecting your brain.
Here are twelve things to disregard when you hear them from those well-meaning friends and relations. (Be polite, but you might be forgiven a slightly condescending smile.)
1) Writers make big money.
How many times do you hear stuff like this? “You’re a writer! Will you still talk to me when you’re rich and famous?”
Tell them to rest easy. It’s not likely to be a problem. Even “successful” writers need day jobs these days. Royalties and advances are shrinking at an amazing rate. Yes, J.K. Rowling is richer than the Queen, James Patterson lives in movie-star grandeur in Palm Beach, and Amanda Hocking and John Locke made buckets of bux self-publishing.
But they are superstars—the exceptions that prove the rule. And even if you become a star, like Pay it Forward author Catherine Ryan Hyde, and get a movie deal and six-figure advances, you're not necessarily on the road to becoming a one-percenter. (More on that to come in the book Catherine and I co-authored: How to be a Writer in the E-Age…and Keep Your E-Sanity! Which debuts in June.)
Of course you (or your hairdresser) can fantasize you’ll become a superstar, too—we all do—but the odds are mighty slim.
2) Genre fiction is easy to write
People will tell you to start out with something “easy” like a romance/mystery/kid’s book. Don’t even try. If you don’t love a genre and read it voraciously, you’ll never write it well enough to publish.
3) Never write for free.
Professional freelancers will tell you this with the ferocity of union organizers, and they are absolutely right…when they’re speaking to seasoned journalists (although even they aren’t getting paid much these days.)
But it’s a long way from writing your first essay to publishing in the New York Times. During your learning process, writing for free is good practice and a great way to get your name out there. Consider you’re being paid in clips and platform-building. And the truth is, if you write literary fiction or poetry, you may never be paid for it. (Most literary writers make their money teaching.) But the lack of paying markets doesn’t mean your work doesn’t deserve an audience.
Plus, it’s important to remember that literary agents work for free a lot of the time—sometimes for years when they’re getting started, just like writers.
4) Don’t waste time on short fiction.
People tell you short stories are a waste because you won’t make any money, but that’s all changed with the ebook and the advent of Kindle Singles (see last week’s post: "Why you Should be Writing Short Fiction”.)
Also, short stories are the best place to hone your skills. Publishing shorts makes you more attractive to agents and gives your self-confidence a boost. And it’s a whole lot easier to publish a short story than a novel. There are thousands of literary magazines and contests in the US, but only six major book publishing houses.
5) Don’t reveal your plot, because somebody will steal it.
Everybody’s got a story. It’s how you write it that matters. Since the copyright law reforms of the 1970s, copyrighting your work before it’s published (especially a first draft) has been the mark of a paranoid amateur. It’s copyrighted as soon as you type it onto your hard drive. (And BTW, you can’t copyright a title.)
6)With talent like yours, you don’t have to jump through all those hoops.
The old saw about 10% inspiration/90% perspiration is 100% true. Talent without skill is useless. That means skill at writing AND hoop-jumping. Learn the rules and follow them or nobody will ever find out about that talent of yours.
7) Spelling and grammar don’t matter.
The only thing that’s important is creativity, right?
When you’re seven, maybe. Words are your tools. If you can’t use them properly, nobody’s going to hire you for the job.
8) Be extra creative so you’ll stand out.
Sorry, but you won’t get a book deal if you write your query with animated emoticons, invent a new genre, or try to bring back the papyrus scroll. At least not when you’re a newbie. If you have any hopes of getting traditionally published, follow genre and word count guidelines. It’s a very stodgy business and if you don’t follow the rules, you won’t get in the door.
And even if you’re self-publishing, follow the three-act structure, and skip the show-offy rule-breaking, or you won’t get read.
9) Don’t read other writers’ work or you’ll imitate them.
Reading widely is essential to the growth of your craft. The more you read, the better your own work will be. If you imitate a bit when you’re a beginner, no harm done. Traditionally, painters were trained by copying the masters. It’s not a bad exercise for writers, either. Your own voice and style will emerge as you grow as an artist.
10) The sadder your personal history, the more publishers will be moved to buy your book.
In spite of what you’ve seen on Oprah, readers are not likely to be interested in your personal tragedies, unless you write beautifully and have something new to say that will benefit THEM. Do you enjoy listening to strangers complain about their problems?
Yeah. I didn’t think so.
11) Sell yourself. Show them you’re confident!
Confidence combined with cluelessness will not help your career—unless you’re Will Ferrell and you do it in an elf suit.
In publishing, tooting your own horn is more likely to make you the butt of #queryfail snark on Twitter.
So when the office know-it-all claims you’re “not trying” unless you query with lines like, “my poignant and exquisitely-written memoir will be bigger than the Hunger Games and Harry Potter books combined,” smile politely and change the subject to his impending mortgage foreclosure.
12) You wrote a whole book! It deserves to be published!!
Uh, no. Almost all successful writers have a few practice books hidden away somewhere. Getting something published—especially book length fiction—is like getting to Carnegie Hall. It takes practice, practice, practice.
What about you, scriveners? What did you once believe about writing that turned out not to be true? Have any myths to add to the list?
Today I’m visiting the Book Luvin’ Babes—talking about my real life bad boyfriend whose mysterious death inspired me to write THE GATSBY GAME.
INDIE CHICKS fans: This week's inspiration comes from Women's fiction author (and new mom) Talia Jager. Read it on the Indie Chicks page here.