The Oxford dictionary says the word "anthology" comes from a Greek phrase meaning a collection of flowers. I love that image. An anthology is a place to display literary or musical works that have been chosen to work together—like a floral bouquet.
I've had the privilege of contributing to seven great anthologies over the past few years. The latest, a collection of personal essays from a broad spectrum of successful authors, debuts this month: Indiestructible: Inspiring Stories from the Publishing Jungle.
It's especially empowering for writers thinking of going the self-publishing or small press route. But all writers will enjoy the stories of authors' struggles and successes on the road to publication. It's a wonderfully inspiring book—and only 99c!
Anthologies have long been one of the best ways for a new writer to get publishing credits and start building an audience. They're also a great way for an established author to increase visibility. Collections of short personal essays do especially well, but theme anthologies that include fiction and poetry are strong sellers, too, and their popularity is growing.
Unfortunately, anthologies have got themselves a bad name among a lot of savvy people in the industry, because so many vanity publishers and scammers have used them to bilk naïve writers.
Here are the types of good and not-so-good anthologies you may encounter:
The Vanity Anthology
The vanity poetry anthology has been around for at least half a century. I remember when a sweet older poet in my town got so excited by her "acceptance" that she sent out press releases before she realized she'd been had.
The operation works like this: writers are invited to enter a "free contest" with a "prize" of inclusion in an anthology. Thing is, every piece entered gets accepted and the books cost $40 or more. So for $40 a copy, you get the privilege of seeing your work crammed into a huge book with a boatload of dreck. As Joe Konrath says, "Do the numbers. If there are 3000 poems in the book, and each writer in the anthology bought at least one copy, the publisher made $120,000."
Poetry dot Com was a famous vanity anthology outfit that flourished in the last decade. (The domain name has been bought by Lulu, where they're attempting to rehabilitate the brand.)
The Pay-to-Play Anthology
The bogus poetry anthology is bad, but there are other, even nastier scams out there. Victoria Strauss at Writer Beware tells of two vanity anthologies who have bilked writers out of up to $5000 each in what she calls the "pay to play" anthology scam. These anthologies of personal essays often mimic the highly successful Chicken Soup books, but instead of paying you, they expect you to pay them. Lots.
The Wake Up…Live the Life You Love series publishers boasted they included articles by well-known inspirational speakers like Dr. Wayne Dyer...but the pieces were simply reprints of old articles. Then they required contributors to buy up to 500 books each at a cost of several thousand dollars.
Another series, published by Inspired Living Publishing, required contributors to pay big bucks for worthless “marketing packages” as well as a huge number of overpriced books.
Always check Writer Beware before you sign on the dotted line.
However, most anthologies are fantastic venues for your writing. There are many good ones, both in print and ebook.
The Traditionally Published Inspirational Anthology
These are a boon to newbies. The venerable Chicken Soup for the Soul anthologies and their cousins are an excellent way to start a professional writing career. (Alas, the Cup of Comfort series from Adams Media has quit production, and I see McAfee blocks their old site as dangerous, so don't go looking for them.) These collections usually pay a flat fee for a personal essay, plus a generous number of copies.
Acceptance can be a big ego boost, and it's a nice credit for your query letter or author bio. (Authors planning to go indie should work on getting credits, too. They show you have a body of work that has been vetted, which helps you stand out from the crowd.)
The Traditionally Published Fiction or Poetry Anthology
Right now, short fiction anthologies are trending. Short fiction is ideal for reading on phones and tablets. For more on the new popularity of short fiction, see my posts, Short is the New Long and Why You Should Be Writing Short Fiction. and a piece in praise of short stories in BookRiot this week.
Because of all this, some publishers are bringing back vintage short fiction in new collections. This week, Sarah Weinman's compilation of vintage Ellery Queen stories, Troubled Daughters, Twisted Wives: Stories from the Trailblazers of Domestic Suspense, makes its debut from Penguin.
C. Hope Clark's Funds for Writers and Poets and Writers classifieds are good places to find vetted anthologies looking for submissions.
A few years ago, I found a call for submissions from the Silver Boomer press in Hope's newsletter and sold a poem to the anthology: From the Porch Swing, Memories of our Grandparents . I got paid and became a "published poet" at a time I couldn't give my fiction away. An excellent experience, (although I might have wished for more colorful cover.)
The Indie Fiction Anthology
The Saffina Desforges Presents Coffee Break Collection is a showcase of MWiDP authors. Inclusion helped me get the attention of fans of their better known authors when I first signed with them.
Genre groups like Sisters in Crime sometimes put together themed anthologies like Somewhere in Crime, a collection of historical mysteries written by the members of the Central Coast Sisters in Crime chapter. It's a fantastic collection by some of the area's best crime writers.
These days, a launch party for a single title isn't terribly cost effective, but launching an anthology for a large group of local writers gets on the local news and can garner everybody more visibility on their home turf. I didn't have time to contribute to Somewhere in Crime, but I got to go to a great party and buy a wonderfully entertaining book.
Sometimes indie authors get together to put out a theme ebook anthology like the WG2E Martini Madness. Since I happened to have a story on hand about drinking appletinis with an alien, I rushed to contribute to that one.
The overhead on an ebook or POD anthology is much less than the old print anthologies so they're cheaper to put together—and they showcase all the authors to each others' fans
The Charity Anthology
Charity anthologies are hot. These are the ones where you donate your work and the proceeds go to a good cause. Both small publishers and self-publishing collectives have had success with these. Jump on the chance to be included if you get an invitation. No, you won't make any money directly, but you'll get a huge amount of free publicity and exposure to new readers.
Plus you're doing a good thing.
Also, a charity anthology saves the editorial staff the paperwork headaches trying to get small royalties to dozens of people. It's win/win. Just make sure you run it by the charity first to make sure you can use their name.
Paul Fahey—former editor of Mindprints magazine—put together an anthology of essays by well-known LGBT authors called The Other Man, published by JMS publishing this summer. It is getting fantastic coverage in the trad print magazines as well as online. Many of the contributors are well known, established authors. Profits go to the "It Gets Better" project that helps bullied LGBT teens. (I personally recommend this one for readers who don't mind a little "R" rated content. Every essay is fascinating—and what a great cause!) And it's 40% off on the JMS site this weekend.
Probably the most successful charity anthology I've been involved with was the inspiring Indie Chicks Anthology of personal essays by independent women authors, which donates all its proceeds to breast cancer research. I'm sure the Indie Chicks are partly responsible for the success I'm having now. The anthology included some of the top indie authors in women's fiction, mystery, and romance. Since they invited
Food of Love was being republished in 2011, I got a ride on their coattails. Their many fans read my piece and checked out my work. I'm very grateful to this terrific group of women.
I'm also grateful to the (now disbanded) Literary Lab, who accepted my work for two of their anthologies: Genre Wars and Notes from Underground at a point when my fiction writing career was stalled and I was starting to despair. Proceeds went to literacy charities. Not only did I get my work into print again and put my name back into the marketplace, but I met a group of awesome writers who were supportive and helpful at a low point in my career.
Now it's four years later and I'm totally jazzed to be included in Indiestructible with some of the authors who appeared in the Literary Lab books. It also includes a number of authors who frequently visit this blog. It gives 100% of proceeds to BUILDON.org, an international movement which breaks the cycle of poverty, illiteracy, and low expectations through service and education.
It's not a how-to guide, but it gives you first-hand information to help you on your journey.
The editor of Indiestructible is author Jessica Bell, whose blog, the Alliterative Allomorph was one of the first blogs I followed when I ventured into the blogosphere.
Remember how I keep telling you networking on blogs will help your career? This is one of the ways. Invitations to six of the seven anthologies came to me through people I met on blogs.
Or you could try putting together an anthology yourself. If you know a group of writers who write in a similar genre, whose work you admire, think about asking them to join you. It's hard work, but if everybody works on the marketing, you can reach a huge audience you'd never find on your own.
What about you, scriveners? Have you ever contributed to an anthology? Was it a good experience? Have you ever been scammed by one? Have you discovered new authors reading anthologies?
This week: I'm visiting Canadian author June McCullough to talk about my upcoming books any my own favorite characters. (And thanks, my Canadian fans, for making the Camilla boxed set #16 in single women's fiction this week!)
This month: while I recover from some surgery that's turned out to be a bigger deal than I expected, we'll have a parade of superstar guest posters:
September 8th: Catherine Ryan Hyde, a literary icon who reached #1 author status on Amazon this summer—she even knocked J.K. Rowling off her perch—will talk about rejection: what it means and what it doesn't.
September 15th: Alex J. Cavanaugh, sci-fi author, blogging ninja, and one of my fellow Indiestructible contributors, will post about forming a blog community, something he knows a lot about.
September 22nd: The blokes from EBookBargainsUK will tell us about the vast, untapped international market every indie needs to know about. (BTW, EBUK has had some technical difficulties this weekend but should be up and running by next week.)
September 29th: Our own NYT bestseller Ruth Harris is back in her regular spot, talking about how to protect yourself from writing scams.
On a personal note: For those concerned about my health, the lump they removed was benign and I'm going to be fine. I just need more time to heal.
It's been complicated by the fact I broke my own rules recently and let my inner Atticus Finch speak up at an ill-advised moment. (Never try to reason with rageaholics: you're only volunteering to be their next fix.) A legal team who monitors online hate groups informed my publishers I've been marked to be targeted with negative reviews and other harassment. So if you see any trollish comments here, ignore them—don't make my mistake and respond—and I'll delete ASAP.
And please, anybody who has read and enjoyed the humor of the Camilla Randall Mysteries, if you could take the time to write a genuine review on Amazon—I desperately need your help. It would make all the difference. Only a couple of sentences are necessary and all that's required is to be an Amazon customer. Waking up every day to a new nasty review by some "reviewer" who only repeats what other negatives has said and has never reviewed anything else gets pretty discouraging.
Bonus: any English major who notes in a review the parallels between the first Camilla book and Fanny Burney's 1796 novel, Camilla, a Picture of Youth, gets your choice of any of my books—paper or ebook—free.
Book Deal of the Week
The fourth Camilla Mystery, No Place Like Home
It's #4 in the series, but reads as a stand-alone.
"A warp-speed, lighthearted comedy mystery, No Place Like Home offers lasting laughs beneath which a message resounds – Being homeless is scary.
There’s a dastardly dead husband, a Ponzi scheme, a long-lost love, a new love who keeps vanishing and a tiny dog named Toto. Add a cross-dressing hooker and a Colombian drug cartel, and the pleasant little community Oprah named “The Happiest City in the USA” is revealed to be a bit more complex than the lady noticed.
The perfect read for the next time an escape from everything sounds like fun!"...Abigail Padgett
1) Quirk Books "Looking for Love" contest. They offer a $10,000 prize for the best quirky love story of 50,000 words or more. Visit the Quirk Books website to download the entry form or for further information. Quirk Books was founded in 2002 and publishes around 25 books each year. Their bestselling titles include Pride and Prejudice and Zombies and Miss Peregrine’s Home for Peculiar Children. Entries close October 1.
2) Writer's Digest Popular Fiction Awards. Since most short fiction contests tend to favor literary work, this is a great one for genre authors. Choose your favorite genre and enter your best in 4,000 words or less. Six first prizes of $500 each and a Grand Prize of $2,500 and a trip to the 2013 Writer’s Digest Conference in New York City. Deadline September 16th
3) The Harper's Bazaar UK Short Story Prize is open to all writers. NO ENTRY FEE. Are you the next Dorothy Parker or Anita Loos? Submit an original short story (up to 3,000 words) on the subject of 'spring' to:email@example.com. The winning entry will appear in the May 2014 issue. Its author will be able to choose a first-edition book from Asprey's Fine and Rare Books Department to the value of £3,000 and enjoy a week-long retreat at Eilean Shona House, on the 2,000-acre private island off the west coast of Scotland where JM Barrie wrote his screenplay for Peter Pan. Deadline December 13th.
4) BARTLEBY SNOPES WRITING CONTEST - Can you write a story that's in dialog only? $10 ENTRY FEE A minimum of $300 will be awarded, with at least $250 going to first place and at least $10 to four honorable mentions. 5 finalists will also appear in Issue 11 of the magazine due out in January 2014. Last year they awarded $585 in prize money. For every entry over 25, an additional $5 will be awarded to the first place story. Compose a short story entirely of dialogue. You may use as many characters as you want. Your entry must be under 2,000 words. Your entry does not have to follow standard rules for writing dialogue. Your entry cannot use any narration (this includes tag lines such as he said, she said, etc.) Deadline September 15th