by Ruth Harris
Good guy/gal or bad guy/gal, the super spy, the nutcase, the grunt who saves his battalion, the alcoholic teacher who can’t save herself but rescues her class from a typhoon, the jihadist with a heart of gold, the whore with a heart of coal, the psychotic, psychopathic, and just plain psychic are the writer’s best friend.
The unforgettable character: he or she (or maybe even it) will energize your book, grab your reader, and jet-propel your plot.
Where do you start looking and where do you find the initial spark of inspiration? The answer is: all around you.
The passive-aggressive employer, the tyrannical secretary, the not-exactly-honest businessman, the bully who tormented you in mid-school, the mean girl who spread nasty rumors about your best friend.
Let your imagination go wild
Creating the “perfect” villain can be a form of delicious payback.
Creating the larger-than-life hero or the dreamboat romantic lead can put all your secret fantasies to work.
But what if you don’t know anyone who belongs in the DSM (Diagnostic and Statistical Manual of mental disorders) ? What if no one you know appears on a do-not-fly list? What if the brainiac whose algo saves the world wasn’t in your seventh grade math class? What if you don’t live next door to the guy who killed his wife and fed her body through a wood chopper? What if the woman who poisoned her husband with
crocodile-bile-laced coffee isn’t in your exercise class?
Google and the internet provide endless sources of inspiration. Personality disorders, murders plain and fancy, angels and devils are lined up waiting to be chosen. They are on forums, they tweet, they share, they comment, they spew their crazed selves on FB. So do Medal of Honor winners, rescuers of abandoned pets, the devoted medics at Doctors Without Borders and the fearless journalists at Journalists Without Borders.
Books, television and the movies are filled with unforgettable characters, and are an unending source of inspiration as we watch or turn the pages with bated breath, waiting to see what amazing feat or dastardly deed they will do next.
- In Breaking Bad, a high school chemistry teacher diagnosed with inoperable lung cancer turns to a life of crime to secure his family's financial future before he dies.
- Jane Tennison, the DI in television’s Prime Suspect is a “woman of a certain age.” Her love life is on the gritty side, she drinks too much, the men she works with give her a hard time, but she is brilliant and always solves the crime.
- Tony Soprano, a beleaguered New Jersey crime boss, must deal with two families, his own—and the criminal “family” he heads.
- Carrie Mathison, the bi-polar CIA agent in Homeland, is on and off her meds and has sex with the suspected terrorist she is supposed to track down.
- Tom Riley, a sociopath of uncertain sexuality in Patricia Highsmith’s The Talented Mr. Riley, lies, deceives, and murders without conscience.
- Mrs. Danvers, the creepy housekeeper with no first name in Rebecca, is dedicated to her dead employer, the first Mrs. Maxim de Winter. She is intimidating, manipulative and willing to drive the second Mrs. DeWinter to suicide.
- Lee Child’s Jack Reacher, an ex-military policeman, is a hero with no fixed address and almost no possessions except a foldable toothbrush and expired passport.
- M, as played by Judy Dench, is the head of MI6 and James Bond’s boss. She is blunt, fearless, and does not flinch from ordering 007 to kill when necessary.
- Rasputin, a failed monk and mystic, was a favorite of the last Czar of Russia and, swept up in the Russian revolution, met a brutal end.
- Glenn Close, the murderous seductress in Fatal Attraction is psychopathically determined to get what she wants—another woman’s husband.
- Hannibal Lecter, the twisted psychiatrist in the Silence Of The Lambswas known as Hannibal the Cannibal, a tribute to his culinary propensities.
Don’t overlook the animal kingdom in your search for inspiration for the memorable character.
- The shark who terrorizes a resort community in Jaws.
- A friendly dolphin named Flipper.
- King Kong, a huge gorilla, and Godzilla, a sci-fi monster.
- Alfred Hitchcock turned to the avian world for his thriller, Birds, which, in turn, is based on a Daphne duMaurier short story.
- Canine characters, mostly good but not always, abound from loyalLassie to rabid Cujo.
- Cats, grumpy and otherwise, star in classics, children’s literature, and cozy mysteries.
- Extinct animals are brought back to life via DNA in dinosaur-driven Jurassic Park.
Comics also contribute their share of outsize heroes and villains.
- Brainy and brawny Wonder Woman has her Lasso of Truth and her magic weapons.
- Mild-mannered Clark Kent aka Superman who, uh, you know.
- Assassin and bounty-hunter Elektra.
- Bad guys Dr. Doom and Joker.
- Martial artist and computer genius, Batgirl fights the bad guys—and wins.
The memorable character will do the shocking, the unexpected and, as a consequence, will give your story an immediate jolt of energy.
They live in the “wrong” neighborhood or, like Jack Reacher, have no permanent address at all. They break rules, heads and maybe knees. They drink too much, squander their money and reputations, have sex at the “wrong” time with the “wrong” partners.
Their willingness to flout convention, break the mold, and break laws gives you the ability to create wow! plot twists and never-saw-it-coming endings.
A Caveat
But remember: no matter how lurid your character or his outrageous his or her behavior, you must also make your characters believable. Villains can’t be all bad and heroes need to have their flaws. Filling out a
character questionnaire will help anchor your character.
Writing a
character profile will also help.
Novelist, screenwriter, and game designer,
Chuck Wendig spells out 25 essentials for creating a great character.
(WARNING: Chuck's post contains profanity and is humorous in tone.)
Got a great hero? Then you need an equally
great villain.
Lindsey Barrett, short story writer and novelist, writing teacher, conference speaker, and member of the National Book Critics Circle, shares tips on
crafting memorable characters.
The joy of creating the memorable character is that it’s fun. Lots of fun. Go wild. Go insane. Break every rule and every law, written and unwritten.
Go ahead. It’s safe here in writers’ world.
What about you, Scriveners? Where do you find your most memorable characters? Do you wreak revenge in your books on toxic bosses, abusive exes and that guy who cut you of on the 101 on-ramp? (I have to admit to killing off some fictionalized toxic people in my life.) What about your heroes? Do they come from real life? Who are your favorite fictional heroes/villains? Have you ever written about a heroic animal?
BOOK OF THE WEEK
A Kiss at Kihali: sweet romance set against the backdrop of African animal rescue
A must-read for animal lovers.
Beautiful and inspirational, A KISS AT KIHALI draws on the power of human-animal relationships, the heroic accomplishments of African animal orphanages, and the people, foreign and Kenyan, drawn to careers involving the care and conservation of wild animals. Filled with drama and danger that lead to a happy ending, A KISS AT KIHALI will appeal to readers who love tender romance and who have personally experienced the intense, mystical bond between humans and animals.
"A must-read for anyone who cares about animals and the environment, because what we do to them, we do to ourselves”... bestselling author Sibel Hodge
OPPORTUNITY ALERTS
VIGNETTE WRITERS, here's a contest for you! The Vine Leaves Vignette Collection Contest. The prize is for a collection of vignettes and poetry up to 20,000 words.
Fee $25. Prize is $500, publication by Vine Leaves Press (paperback and eBook), 20 copies of the paperback, worldwide distribution, and promotion through the Vine Leaves and staff websites. It will be judged by an editor from Simon and Schuster.
Deadline February 28, 2015.
The Playboy College Fiction Contest Prize is $3000 plus publication in Playboy Magazine. You must be enrolled in college to be eligible. Stories up to 5000 words.
Deadline February13th, 2015 $5 entry fee for non-subscribers.
Saraband Books prize for a book of poetry or literary fiction. Prize is $2000 and publication. The entry fee is $27. For fiction, submit a manuscript of 150 to 250 pages of stories, novellas, or a short novel For poetry, submit a manuscript of at least 48 pages.
Deadline February 13th, 2015
THE MEADOW NOVELLA PRIZE $15 ENTRY FEE. The winner of the contest will receive $500 and publication in the annual print edition of the journal. Submissions should be between 18,000 and 35,000 words.
Deadline February 1, 2015.
Vestal Review Condensed Classics Anthology Call for submissions to an anthology of world classics condensed to 500 words or fewer. Submissions are still open for the new anthology edited by Mark Budman titled "Condensed to Flash: World Classics."
Find specifics here and Scroll down to "Condensed to Flash" and check out the sub guidelines.
The payment: $15 and a digital copy for an original story and $5 and a digital copy for a reprint.
The deadline: January 31, 2015
Unpublished Literary Fiction Authors looking for a Traditional Career! Tinder Press, a division of Hachette, is going to be open to UNAGENTED SUBMISSIONS for two weeks in March. More information at
Tinder Press.
Labels: A Kiss at Kihali, Character profiles, character questionnaire, Chuck Wendig, Creating memorable characters, Creating villains, How to get writing ideas, Ruth Harris